Our courses are planned to facilitate different learners and participants. We use interactive techniques, real-life examples through case studies and practical learning with exercises besides lecturing.

Our personal best experience ranges on features budgeted between 1-12 m. euros and filmed mostly in Europe. To have a wider understanding of the field we’re actively joining industry events and panels, visiting other sets and finding ways to educate ourselves further.

We’re active users of all softwares we’re teaching and speak regularly with software developers to know what’s coming next. We offer extensive technical support for all course participants - and if there’s something we don’t know, we’ll find it out.

Besides the practical and technical work we always focus on the social and emotional side of the job. For us these can’t be separated - the best filmmakers are smart team players who know their personal boundaries and support each other when it gets rough.

Our core know-how is collected from working in Production and Assistant Directing departments. This being said we’re constantly looking into broadening our course selection further with the right collaboration partners. Would you have someone in mind? Contact us and let’s speak more!

Looking into skills we need in the industry to answer the demand of future productions.

  • Due to the massive demand for professional Assistant Directors and the difficulties in finding suitable candidates to fill open positions in Nordic productions, we established the AD Bootcamp in 2022. It aims to go one step further and show how Assistant Director’s can support the design and artistic work of their colleagues to enable higher quality content to be created.

    Our AD Bootcamp started as a one-time pilot course and has now formed into an umbrella under which we provide further training in Assistant Directing. The original, key course consists of 8 weeks of part-time studies. In addition we’ve also organised:

    • 6-week course in Production Planning

    • 2-4 day Call Sheet Workshops

    • 2-3 day course on Key 2nd AD’ing

    • 1-2 day course on Leading the AD’s Department

    • 1 day courses on MMS6 (basics / advanced)

    The AD Bootcamps 2022-2024 in have been organised in collaboration with Blockbusters Gang with title BBG AD Bootcamp. In Sweden we’ve collaborated with Frans Schartaus Business Institute, and in Switzerland with Focal and Background Action.

  • The Junior Program is a professional training program founded in collaboration with Blockbusters Gang January 2019 for film industry newcomers who are looking for further training before joining larger productions. The program aims to meet the need for providing more hands-on knowledge for interns and assistants in the industry and to raise their understanding of productions to a higher level.

    The Program has had two six-month editions, during which the participants have been learning more of filmmaking by attending different lectures, visiting multiple production houses and working part time as interns with Blockbusters Gang. During the Program, each participant has focused on a specific area of production or gathered general knowledge of projects and departments.

    The lectures include topics such as

    • phases of film production

    • working law, collective agreements and salaries

    • work safety

    • communication in all of its forms

    • creating back ups and file archiving

    • the basic duties of PAs in the field

    • more in-depth knowledge of transportation and logistics, casting background actors and creating production documents

    The participants have also joined Blockbusters Gang’s teams for training days at our office and in film/commercial/TV shoots and had a separate training session on walkie communications.

    The contents of the Program has been adjusted into our trainings eg. in Laajasalo Folk High School and Omnia Film Skills Program.

  • All film schools tend to teach something regarding production planning, script breakdowns, scheduling and assistant directing in some point of the studies. We’ve collaborated with bunch to give some insights of our work - under multiple headlines.

    GENERAL

    • Lifecycle of a Film Production (from 3 to 6 hrs)

    • Communication in Film Productions (from 3 to 16 hrs)

    • Respect, Equality and Safety in Film Industry (from 3 to 6 hrs)

    • Acting on Set (from 3 to 6 hrs)

    • Working with Walkies (from 3 to 6 hrs)

    • Safety and Risk Assessments (from 3 hrs to 8 hrs)

    • Creating Production Documents (from 8 to 40 hrs)

    • Back Ups and File Archiving (from 3 to 16 hrs)

    ASSISTANT DIRECTING

    • Work of the Assistant Director (from 3 to 16 hrs)

    • Script Breakdowns and Scheduling (from 6 to 16 hrs)

    • Creating Call Sheets (from 6 to 16 hrs)

    • Running the Set (from 3 to 12 hrs)

    • Working with Background Actors (from 3 to 8 hrs)

    OTHER

    • Working Internationally in Film (from 3 to 6 hrs)

    • Leadership & Communication (from 6 to 16 hrs)

    • Entrepreneurship (from 3 to 6 hrs)

    • Career Skills in Film (from 3 to 6 hrs)

    We’re flexible on the course and lecture lengths - we can adapt our content depending on the hours we have available. If given more time, we can go through case studies, dive deeper in the subject, have time for discussions and add assignments for the participants.